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A Roll of Paper, a Young Woman's Privacy, and the Day Medicine Began to Listen

A Roll of Paper, a Young Woman's Privacy, and the Day Medicine Began to Listen
In this article

René Laennec, the Invention of the Stethoscope, and Lung Cancer Becoming Audible (1816)

🩺 Period: Early 19th century — 1816-1826
🇫🇷 Location: Paris — Hôpital Necker, Rue de Sèvres

In September 1816, on Paris's Rue de Sèvres, in Hôpital Necker, a thirty-five-year-old physician stood facing a young female patient in an examination room. She was young, overweight, and had come with a chest complaint. The standard examination at the time involved the physician placing his ear directly against the patient's chest to listen to the heart and lungs. This method was called "immediate auscultation" — a technique used since Hippocrates. But that day the physician hesitated. Because the patient was a young woman and because of her weight, bringing his ear close enough to hear deep within her chest would both invade her privacy and be physically ineffective. He looked around the room, saw a tightly gathered stack of paper on his desk, rolled it into a cylinder, placed one end against her chest and the other against his ear. Suddenly, he heard something unexpected: the heartbeat was much clearer and much louder than anything he had heard before. The sound had been concentrated as it passed through the compressed paper cylinder. That moment marked the birth of one of modern medicine's most frequently used instruments. The physician was René-Théophile-Hyacinthe Laennec, and a few weeks later he would name the instrument that was still unnamed: from the Greek stêthos (chest) + skopos (one who investigates or observes) — stethoscope. Three years later, in 1819, he published his monumental two-volume work De l'Auscultation Médiate, which would become a foundational reference for modern chest medicine. But the story's tragic twist lay elsewhere: Laennec studied tuberculosis throughout his life, became the person who described its clinical pathology, and ultimately his own nephew diagnosed him with tuberculosis using his own invention. He died of tuberculosis on 13 August 1826, at the age of 45. It is one of medical history's clearest examples of a scientist being killed by the very thing he studied.

FROM QUIMPER TO PARIS: A BRETON'S JOURNEY INTO MEDICINE

Losing His Mother to Tuberculosis at Five

René Laennec was born on 17 February 1781 in Brittany, on France's northwestern coast, in the town of Quimper . Quimper remains a small, rainy city with a distinctive Celtic-French culture and a close connection to the sea. His father, Théophile-Marie Laennec, was a lawyer; his mother, Michelle Guesdon, was a sensitive woman. As in every European town of the period, the most common cause of death in Quimper was tuberculosis — phthisis pulmonalis as physicians then called it, popularly known as "consumption" (wasting), a lung disease that gradually weakened and killed its victims.

Michelle Laennec died of tuberculosis when little René was only five or six years old . This event left two wounds in René's life: first, a personal loss that would follow him for the rest of his life; second, a sadder reality that we will encounter later — the likelihood that the young child already had an infection that went unrecognized at the time: latent tuberculosis acquired from his mother. From a modern medical perspective, five-year-old René was probably exposed to Mycobacterium tuberculosis during the months spent beside his mother with active tuberculosis; he carried this bacillus throughout his life, and it developed into active disease in adulthood.

After losing his mother, the child was taken in not by his grandparents but by his maternal uncle, Guillaume Laennec . Guillaume Laennec was one of the leading physicians of his day and dean of the medical faculty in Nantes. Living with him, young René began medical training at the age of 11-12 — during one of Europe's most sensitive periods, amid the French Revolution (1789), at the end of the Terror, in the same years that Bichat arrived in Paris. The young man also had a musical talent : he carved wooden flutes with his own hands. This manual skill would contribute directly, thirty years later, to his design of the stethoscope's wooden cylinder.

In 1801 — the year Bichat published Anatomie Générale— Laennec moved to Paris and trained under Jean-Nicolas Corvisart and Gaspard-Laurent Bayle , two of the period's most brilliant physicians. Corvisart would later become Napoleon's personal physician and was one of the founders of modern French cardiology and chest medicine. Bayle was an early specialist who developed detailed clinical and pathological descriptions of tuberculosis — and, in a tragic irony, he too would die of tuberculosis. In 1804 Laennec, with a thesis entitled "Hippocrates and Medical Doctrine", received his medical degree in Paris.

SEPTEMBER 1816 — THAT SPECIAL AFTERNOON AT HÔPITAL NECKER

Three Versions of the Birth of the Stethoscope

The year 1816 was crucial to Laennec's career: the Napoleonic era had ended, the Bourbons had regained the throne, and in recognition of his longstanding royalist loyalty, Laennec had been appointed chief physician at one of Paris's leading hospitals, Hôpital Necker. Necker was a charitable hospital founded in 1779 by Madame Suzanne Necker, wife of French finance minister Jacques Necker; it specialized in children's illnesses but also admitted adults. It survives today as Hôpital Necker–Enfants Malades and is one of Europe's oldest children's hospitals.

In September 1816, shortly after taking up his post, Laennec encountered his patient that day. There are three slightly different versions of this story:

THREE VERSIONS OF THE STETHOSCOPE'S INVENTION

Version 1 (Laennec's own account, in his 1819 preface): Because the patient was a young woman "carrying too much flesh" (that is, obese), he realized that percussion and placing his ear directly against the chest wall would be inadequate. A childhood memory then came to him: he recalled hearing the sound of a pin at the far end of a long piece of wood with extraordinary clarity when his ear was placed against the other end — an observation of an acoustic principle. "There was a stack of paper on the table beside me; I rolled it tightly into a cylinder, placed one end against the woman's chest over the heart and the other against my ear. I was both surprised and delighted to find that I could hear the heartbeat more clearly than with any direct auscultation I had previously performed."

Version 2 (from some contemporary recollections): In this account, the object was not a roll of paper but a tightly rolled notebook (cahier). Whatever the paper's type and form, the physical principle is the same.

Version 3 (a historical legend): A story circulating in popular culture says that Laennec was inspired when he saw two children in the Necker garden playing a game of "listening to a pin through a piece of wood". This story does not appear in Laennec's own writings and is regarded as an addition made by later generations.

What matters is not the type of paper or the precise details of the story, but the principle: sound travels through a solid medium while retaining the energy it would lose across an air gap. Acousticians knew this principle in Laennec's time; his creativity lay in bringing it into medical practice.

Over the following weeks, Laennec turned the paper roll into a more durable instrument. He first tried rolled paper, then a wooden cylinder; finally, using his own lathe skills, he made a two-part, detachable tool approximately 25 cm long and 3,5 cm in diameter, with a central channel 5 mm in diameter — a cylindrical wooden instrument . He gave it a name derived from Greek: "stéthoscope" — stêthos (chest) + skopein (to investigate or observe). The word contains an intriguing etymological irony: the instrument is used to "hear", but its name comes from a root meaning "observe". Clearly, in the absence of modern radiology, Laennec saw his instrument as a way of "looking" inside the chest.

THREE YEARS OF RESEARCH — THE 1819 MASTERPIECE

De l'Auscultation Médiate and the Birth Certificate of Modern Chest Medicine

From autumn 1816 to 1819, Laennec systematically studied hundreds of patients admitted to Hôpital Necker. His method was to examine the patient with the stethoscope, record the sounds in detail, and note the clinical findings; when the patient died, he performed an autopsy and compared its findings with his records of the sounds. Through this approach — combining Morgagni's correlation of "clinical observation + autopsy" with Bichat's tissue doctrine and his own acoustic analyses — he successively defined the fundamental concepts of modern chest medicine:

  • Rales: Crackling, wheezing sounds arising within the lungs. The word comes from the French "râle" (a muffled noise). They are the auscultatory signature of modern diagnoses of bronchitis, pneumonia, and pulmonary edema.
  • Rhonchi: Lower-frequency sounds from the larger airways. The signature of acute and chronic bronchitis.
  • Crepitance (crepitant rales): The crackling sound made as the alveolar spaces open. The signature of early pneumonia or pulmonary edema.
  • Egophony: The patient's "ee" sound resonates through a fluid-filled pleural space like "ay". A classic sign of pleural effusion.
  • Pectoriloquy: The patient's whispered speech is clearly heard through consolidated lung. A classic sign of pneumonic consolidation.
  • Bronchophony: The patient's normal speaking voice is heard with abnormal clarity through consolidated lung.

Today, two hundred and ten years later, these terms are the basic auscultation vocabulary memorized by medical students. Whether during a resident's bedside examination at Memorial Göztepe, in a pulmonary examination class at Hacettepe, or in a hospital corridor anywhere in the world, the words Laennec wrote at Necker in 1819 are still used. This is an exceptionally rare example of longevity in medical history.

Published in Paris in 1819, De l'Auscultation Médiate, ou Traité du Diagnostic des Maladies des Poumons et du Cœur ("On Mediate Auscultation, or a Treatise on the Diagnosis of Diseases of the Lungs and Heart") is a two-volume work. The first volume covers stethoscope technique, acoustic principles, and lung diseases; the second is devoted to heart disease. It is remarkably comprehensive for its time: pneumonia, bronchiectasis, pneumothorax, pleurisy, empyema, emphysema, tuberculosis, lung abscess, lung cancer, pericarditis, and valvular heart disease are all systematically described, with their clinical findings and auscultatory signatures presented individually.

In 1816, I had to examine a young woman who came with a heart complaint, but for whom the usual methods of the day were unhelpful. Her age and sex prevented the use of the other methods then available. I recalled an acoustic observation well known in my childhood: how the sound of a pin against a long piece of wood reached the ear at the other end with increased strength... There was some paper on the table beside me; I rolled it tightly into a cylinder, placed one end on the patient's chest and the other against my ear. I heard the heartbeat far more clearly than with any previous direct listening. René Laennec — De l'Auscultation Médiate, Preface, 1819 (adapted translation)
LUNG CANCER IS "HEARD" FOR THE FIRST TIME

From Bichat's Tissue Doctrine to Laennec's Acoustic Diagnosis

For the history of oncology, one of Laennec's most important contributions was being the first physician to describe lung cancer systematically. In 1801, Bichat had described the lung as an organ composed of different tissues; in 1819, Laennec compared diseased states of those tissues by observing them both in the living patient through auscultation and after death through autopsy.

De l'Auscultation Médiate: in its first volume, Laennec classified tumors within the lung into three main categories:

  • Encephaloid tumor: A soft, rapidly growing mass with a brainlike consistency. From a modern perspective, probably small-cell lung cancer or high-grade adenocarcinoma.
  • Scirrhous tumor: A hard, fibrous, slowly growing mass. From a modern perspective, probably squamous-cell carcinoma or well-differentiated adenocarcinoma.
  • Melanoid tumor: A darkly pigmented, blackish mass. From a modern perspective, some cases were probably lung metastases from melanoma, and others were tumors with anthracotic pigmentation in the lung.

Laennec also systematically described auscultatory findings in patients with lung cancer: bronchophony over consolidated areas, diminished breath sounds distal to a tumor obstructing the bronchial tree, egophony over a malignant pleural effusion, and crepitant rales in areas of post-obstructive pneumonia. This combination of five findings remains part of the classic physical examination findingsin a modern lung cancer examination. A physician wrote them at Necker in 1819; a resident at Memorial Göztepe performs the same examination in 2026.

Laennec was also the first physician to document the frequent metastatic spread of melanoma to the lung ; De l'Auscultation Médiatedescribed "melanoid" lung tumors that René-Joachim-Henri Dutrochet and Robert Carswell would subsequently study systematically, culminating in the first modern atlas of melanoma in Carswell's 1838 work Illustrations of the Elementary Forms of Disease.

Lung cancer had existed since Hippocrates, but before Laennec no one had listened to it systematically. Bichat classified tissues; Laennec captured the sounds those tissues made when diseased. Their lives were separated by 16 years; both opened a new way of looking inside the body — one by opening the dead, the other by listening to the living.
THE MAN DIAGNOSED WITH THE INSTRUMENT HE INVENTED

A Nephew, a Stethoscope, a Personal Tragedy

Tuberculosis followed Laennec throughout his life. It is thought that he probably carried a latent infection after losing his mother at five, but active disease first began to cause symptoms in 1815 — a year before he invented the stethoscope. He had cough, fatigue, and weight loss during those years, but often ignored them and continued working.

As his reputation became international after publication of his 1819 masterpiece, he was appointed professor at the Collège de France in 1822; in 1823, he became chief physician at Hôpital de la Charité. Around the same time, his family in Brittany sent his nephew Mériadec Laennecto him in Paris. The young man was studying medicine and wanted, like his uncle, to work on chest disease. Mériadec became his uncle's assistant.

Over the next three years, Laennec's health gradually deteriorated. He knew his symptoms but avoided giving the disease a definite name. Early in 1826, he began preparing the second edition of De l'Auscultation Médiate— six years after the first edition, with expanded clinical observations and more detailed pathological findings. The second edition was completed in spring 1826; in those same weeks, Laennec set out to return to Brittany, to his birthplace, Quimper.

THE LAST JOURNEY TO BRITTANY — 13 AUGUST 1826

The journey was difficult for Laennec. When he set out, he was already weak and nearly bedridden. After they reached Brittany, he took to bed at his family's country home, their farm in Kerlouanec. His nephew, Mériadec Laennec, examined his uncle in bed with the stethoscope, his uncle's own invention. He heard consolidation, crackling rales, a small pleural effusion, and post-obstructive changes in turn. The diagnosis was not uncertain: advanced active pulmonary tuberculosis.

There are few parallels in the history of science: a scientist diagnosed using the instrument he invented. In his final weeks, Laennec knew his condition but thought more about his family. He left his library and instruments to his nephew — especially the original stethoscope he had made himself. He died in Kerlouanec on 13 August 1826, at the age of 45. In Brittany, the land where he was born and raised. No autopsy was performed, but during the funeral his wife and family said, in his own words, that he had "returned to his mother, who had died of the same disease".

Laennec's personal stethoscope is now preserved at the Musée d'Histoire de la Médecinein Paris. The rales, rhonchi, and egophony he described with it have been part of every medical student's vocabulary for 200 years. After his uncle's death, Mériadec Laennec continued compiling his work and prepared the third edition of De l'Auscultation Médiate(1831) and the fourth edition (1837) for publication. Mériadec successfully pursued an academic career as the successor to his uncle's work and died in 1873; he did not die of tuberculosis.

THE LAENNEC–BAYLE PARADOX: A GENERATION'S DOUBLE TRAGEDY

Those Who Studied Tuberculosis and Died of Tuberculosis

An important pattern in medical history is this: Laennec's teacher, Gaspard-Laurent Bayle (1774-1816), five years older than Laennec, was an early specialist who elaborated the clinical and pathological descriptions of tuberculosis. Bayle also died of tuberculosis in 1816, the year Laennec invented the stethoscope, at just 42. Two events unfolded in parallel that year: one physician invented a way of listening to lung disease; another died of that same disease.

This generation's tragedy was repeated in subsequent decades among the physicians who systematically described the pathology of tuberculosis . Tuberculosis was the illness that physicians of the period encountered most frequently at work — through patients, autopsy material, and hospital air. The prevalence of latent infection in Paris at the time is estimated at %80-90; progression to active disease was around %5-15. In other words, virtually everyone receiving medical training was probably infected; a subset gradually became ill, and some within that subset died.

The tuberculosis bacillus (Mycobacterium tuberculosis) would be discovered by Robert Koch in 1882 — 56 years after Laennec's death. Streptomycin, the first antibiotic against tuberculosis, would be discovered by Selman Waksman in 1943, 117 years after his death. Had Laennec been born in 1926, he could have been diagnosed with his own stethoscope and started streptomycin a few months later; he would not have died of tuberculosis. But he was born in 1781, and the science he pursued in his era was the very science that killed him.

🩺 LAENNEC AND THE OVERLAP BETWEEN TUBERCULOSIS AND LUNG CANCER

When modern medical historians reassess Laennec's clinical condition during his final weeks, an intriguing nuance emerges: some records suggest that he may have been a tuberculosis patient who also had a lung tumor. Distinguishing tuberculosis pathology from lung cancer pathology was difficult in the early 19th century: both produce cavities and fibrous reactions, sputum, and bleeding. Although a modern reading considers his case almost certainly pulmonary tuberculosis, some historical descriptions of a "solid mass" also suggest the possibility of a secondary cancer. This is a debate that cannot be resolved by proof, but it symbolizes diagnostic uncertainty in medical history.

LEGACY — FROM 1816 TO 2026

The Stethoscope's Two-Hundred-Year Journey

📖 THE EVOLUTION OF THE STETHOSCOPE — FROM LAENNEC TO MEMORIAL GÖZTEPE

1816
Laennec — a paper roll and a wooden cylinder. A monaural, single-ear wooden stethoscope. Necker Hospital.
1819
Publication of De l'Auscultation Médiate. A foundational reference for modern chest medicine.
1851
Arthur Leared — the binaural, two-ear stethoscope. The ancestor of the modern two-ear form.
1852
George Cammann — a binaural stethoscope with flexible tubing. The first mass production; it became widespread in the United States.
1895
Wilhelm Röntgen — discovery of X-rays (to be covered on Day 97). For the first time, an image supports the stethoscope's claim to "look" inside the chest.
1961
David Littmann — the Littmann stethoscope. The standard for the modern professional stethoscope; today the most widespread model worldwide.
1972
The first commercial CT (Computed Tomography). The resolution of images inside the lung becomes much finer; the stethoscope begins to lose some of its role as a diagnostic tool.
2010+
Digital stethoscopes and AI sound analysis. Eko Health (2015), Thinklabs Digital, and AI-assisted auscultation algorithms. Back in clinical research under the heading of synthetic analysis for lung cancer screening and early COPD diagnosis.
2026
An examination room at Memorial Göztepe Cancer Center. Still a stethoscope at every bedside; still the terms rales, rhonchi, egophony, and pectoriloquy that Laennec described in 1819 at every examination.

Today, the stethoscope hanging around a physician's neck is modern medicine's most universal symbol. Presented at medical school graduation ceremonies in Turkey, it is an everyday yet meaningful emblem of being a physician. Although precision oncology in 2026 allows disease to be distinguished at submillimeter resolution using CT, MRI, PET-CT, liquid biopsy, and genomic profiling, the stethoscope still represents the physician closest to the patient . When a physician touches the patient's chest and hears the sounds of the lungs through the stethoscope, Laennec's tradition in that Necker room in 1816 comes alive.

We can also say that the history of lung cancer in Turkey begins with Laennec. At the Mekteb-i Tıbbiye-i Şahane, founded in 1827 as Ottoman medicine's gateway to Europe in the 19th century — an institution we will discuss in more detail tomorrow on Day 75 — Laennec's work soon entered the Turkish language and Ottoman medicine. One of the foundational references Cemil Topuzlu read during his training in Paris (to be covered on Day 92) was Laennec's De l'Auscultation Médiate. The founding generation of modern Turkish medicine are Laennec's intellectual grandchildren.

A BRIEF FACT-CHECK NOTE

  • Laennec's birth and death: 17 February 1781, Quimper (Brittany) — 13 August 1826, Kerlouanec (Brittany); aged 45
  • His mother, Michelle Guesdon: Died of tuberculosis when René was 5-6 years old
  • His maternal uncle: Guillaume Laennec, dean of the Nantes medical faculty; raised René
  • Arrival in Paris: 1801
  • His teachers: Jean-Nicolas Corvisart, Gaspard-Laurent Bayle (Bayle also died of tuberculosis, in 1816)
  • Medical degree: 1804, Paris
  • Appointment to Hôpital Necker: 1816
  • Invention of the stethoscope: September 1816, Hôpital Necker
  • The name stethoscope: Greek stêthos (chest) + skopein (to investigate, observe)
  • First version: A tightly rolled paper cylinder; later a wooden cylinder he carved himself, approximately 25 cm long and 3,5 cm in diameter
  • His principal work: De l'Auscultation Médiate, ou Traité du Diagnostic des Maladies des Poumons et du Cœur — Paris, 1819, 2 volumes; second edition, 1826
  • English translation: Sir John Forbes, 1821 (first partial translation), 1827 (complete translation: A Treatise on the Diseases of the Chest)
  • Professorship at the Collège de France: Faculty appointment in 1822, professorship in 1823
  • Chief physician at Hôpital de la Charité: From 1823 onward
  • Clinical terms he defined: rales, rhonchi, crepitance, egophony, pectoriloquy, bronchophony — the vocabulary of modern auscultation
  • Pathologies he described: bronchiectasis, emphysema, pneumothorax, pulmonary tuberculosis (clinical and pathological), lung cancer (three types), and hepatic cirrhosis
  • His nephew, Mériadec Laennec: 1797-1873; René's assistant; diagnosed his uncle with tuberculosis using his uncle's own stethoscope; prepared the 1831 and 1837 editions of the work for publication
  • Discovery of Mycobacterium tuberculosis: Robert Koch, 1882 — 56 years after Laennec's death
  • Discovery of streptomycin: Selman Waksman, 1943 — 117 years after Laennec's death
TOMORROW
📖 TOMORROW — DAY 75

Turkey Dossier I: Mustafa Behçet Efendi and the Modernization of Ottoman Medicine — 1827, the Founding of Tıphane-i Âmire

We move from Necker in Paris to Şehzadebaşı in Istanbul. As the sound of Laennec's 1819 masterpiece spread around the world, twelve years later Mahmud II turned to a physician questioning how European medicine would enter the Ottoman Empire — Mustafa Behçet Efendi. Tıphane-i Âmire, which opened on 14 March 1827, marks the founding day of modern Turkish medicine. Tomorrow, we write our first Turkey dossier: the gateway through which European medicine entered the Ottoman Empire, and the first link in oncology's long threads within Turkish medical history.

Author's note: In this article, the quotation from Laennec's De l'Auscultation Médiatewas adapted into Turkish from the preface to its 1819 edition; it is a conceptual summary, not a literal translation. The three versions of the stethoscope's invention were compiled from different historical sources; modern medical historians generally regard Version 1, Laennec's own account, as predominant. His descriptions of "encephaloid", "scirrhous", and "melanoid" tumors do not correspond exactly to today's histopathological classifications. The morphological language of the period relied on consistency and color; suggesting approximate counterparts among modern molecular pathological subtypes is an interpretation of the literature. The suggestion of overlapping tuberculosis and lung cancer in Laennec's personal medical history is speculative historical interpretation; it is not certain because no autopsy was performed.

Sources and Further Reading

  1. Laennec RTH. De l'Auscultation Médiate, ou Traité du Diagnostic des Maladies des Poumons et du Cœur, fondé principalement sur ce nouveau moyen d'exploration. 2 volumes. Paris: Brosson et Chaudé, 1819. (First edition, original French.)
  2. Laennec RTH. De l'Auscultation Médiate. 2nd edition, 4 volumes. Paris: J.-S. Chaudé, 1826. (Expanded edition published shortly before Laennec's death.)
  3. Laennec RTH. A Treatise on the Diseases of the Chest, in Which They Are Described According to Their Anatomical Characters, and Their Diagnosis Established on a New Principle by Means of Acoustick Instruments. Translated by Sir John Forbes. London: T. and G. Underwood, 1827. (First complete English translation.)
  4. Duffin J. To See with a Better Eye: A Life of R.T.H. Laennec. Princeton: Princeton University Press, 1998. (Modern reference biography; the standard academic source on Laennec.)
  5. Roguin A. Rene Theophile Hyacinthe Laënnec (1781-1826): The Man Behind the Stethoscope. Clinical Medicine & Research 2006;4(3):230-235. doi:10.3121/cmr.4.3.230
  6. Hanson MR, Hamburger HA, Rourke GC. The stethoscope, history of the. Henry Ford Hospital Medical Journal 1980;28(2-3):165-172.
  7. Sakula A. R T H Laënnec 1781-1826 his life and work: a bicentenary appreciation. Thorax 1981;36(2):81-90.
  8. Bynum WF, Porter R (eds). Medicine and the Five Senses. Cambridge: Cambridge University Press, 1993. (Discusses Laennec's auscultation as modern medicine's "sensory" revolution.)
  9. Bishop PJ. The evolution of the stethoscope. Journal of the Royal Society of Medicine 1980;73(6):448-456.
  10. Kervran R. Laënnec: His Life and Times. Translated by D.C. Abrahams-Curiel. New York: Pergamon Press, 1960. (Classic biography of Laennec.)
  11. Loudon I. The diseases called phthisis. Social History of Medicine 1990;3(3):419-435. (A historical reading of how Laennec and his contemporaries understood tuberculosis pathology.)
  12. Long ER. A History of Pathology. New York: Dover Publications, 1965. (Laennec's place in the history of pathological anatomy.)

This article is Day 74 of the Cancer History in 365 Days Series. The birth of the modern physical examination and its place in the history of clinical lung cancer diagnosis will be explored further in forthcoming installments through Bouillaud, on the development of heart sounds; Stokes, on the Irish school of chest medicine; Skoda, on the Viennese school of percussion and auscultation; and especially Doll–Hill and Wynder–Graham's demonstration of the smoking–lung cancer relationship on Days 129-130. Tomorrow, Day 75, continues with the first Turkey dossier: Mustafa Behçet Efendi and the founding of Tıphane-i Âmire in 1827. The article is written from a popular historical perspective and contains no medical treatment recommendations.

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